Showing posts with label Horror Movies. Show all posts
Showing posts with label Horror Movies. Show all posts

Wednesday, June 15, 2011

My review of Super 8: marketing a film as retro doesn't mean it needs to be more of the same

Seeing a mob of confused people with failing electronic devices and flickering electricity in J. J. Abram’s newest virally-marketed flick, Super 8, I couldn’t help but be reminded of an episode of Rod Serling’s Twilight Zone with an episode called The Monsters are Due on Maple Street. In the classic episode, panicked townsfolk turn to the knowledge of a child who has read too many fantasy stories to guide them through the panic of an alien invasion. Ultimately the twist makes a statement and isn’t something you saw coming, which was always the case with the classic series. Sadly, with Super 8 and its equally mysteriously marketed predecessor Cloverfield from 2008; there is no twist, and the “surprise” of the films is exactly your first thought from the trailers.

The film opens with the protagonist, a young boy named Joe losing his mother and then flashes forward a few months to a group of enthusiastic young film makers attempting to film a zombie movie with a Super 8 camera. For “production value” they film a train as it’s passing by and it happens to explode multiple times. Before you know it the military is involved and it’s up to Joe’s father, the local sheriff, as played by Kyle Chandler (who seemingly holds the position of every other elected official in the town and conducts one-man press conferences) to save the world. Of course since the loss of his wife there has been some distance between him and his son and this alien disaster is just the kind of therapy their father-son relationship needed to bring them together in a one-dimensional and forced emotional arc.

It’s not the only shallow and uninteresting relationship in the movie though. Joe also quickly falls in love with a girl named Alice (Elle Fanning) applying monster make up on the film shoot and is willing to risk his life in the subsequent days to find her when she goes the way of the local dogs and appliances-missing. Scenes of Joe showing Alice footage of his mother and their bizarre under-age bonding experiences are where the film really tends to drag, though the action scenes are equally underwhelming and should serve to prove that the more explosions, thrashing tentacles and spastic unintelligible motion sequences you have in a movie doesn’t add to its stark and tasteful ambiguity, it only leaves the viewer slightly bored.

While it’s true, the use of child protagonists harkens back to older Speilberg films, you have to wonder how they became like a kid version of the A-team. One is a master of pyrotechnics, another a make up artist, one a brilliant actress and the other with an eye for storytelling. This premise unto itself, might have actually been more interesting than the wanton destruction and government conspiracies. Instead I’m left wondering why the film was marketed as if it were framed through a Super 8 camera and the logo of the film focused so much on that, as that plot line quickly devolves after the first 20 minutes until it’s no longer existent or relevant by the end of the film. While protagonists like Elliot in E.T. were able to stand alone in the 80’s and create a dramatic arc without forced drama, it was somehow necessary for Joe to be grieving the loss of his mother and making a film and falling in love prematurely to create a fully dynamic backdrop for alien invasion. And that aspect is nothing we haven’t seen before.

Super 8 borrows techniques and plot devices from tons of other films; from the accidental death of the mother as the result of the carelessness of a side character ala Signs to the government involvement of District 9, Super 8 felt like a movie that I’d seen before which added nothing new to the table. Some critics have said that if it was made in the 80’s it may have been a classic. I think it’s a little unfair to say that, because just about every movie that comes out now with advanced visual effects would have been as well. It feels slightly lazy to fall back on the draw of the film being a period piece with nods to older bodies of work to attempt to validate it. The movie magic surrounding Star Wars, E.T., Close Encounter of the Third Kind, and more is because those films really did something special that added to the ever changing medium of film and brought a new spectacle to the table. As much as I love homage’s to older movies and film connections, Super 8 just feels cut-and-dry and lifeless with no true emotional drive at the core and no genuine need to see how it ends, because you’ve seen it so many times before and you’re certain that all the characters will be fine. For a director that boasts such bold new visions, I can’t help but feel like this film is remarkably predictable and safe.

Toward the beginning of the film before disaster/invasion movie tropes became rampant and monotonous, the screenwriter of the group of kids is explaining how he read books on screenwriting and how you need to write in a love interest. When asked why he can’t supply a real reason other than “That’s how it works.” Thus Elle Fanning’s character is introduced into the zombie film. Ironically she exists in Super 8 for the same reason. For a movie apparently so aware of clichés it never made one attempt to avoid them or deviate from that little how-to guide to screen writing.

Friday, January 7, 2011

FINAL TOP TEN MOVIES LIST

I waffled over (a turn of phrase which I adore) these picks for at least three weeks before I was confident enough in my choices to post them. Movies ended up being very hard to choose this year and I still don't think I'm entirely sure about the ordering of my top five. People complained all year about how 2010 was a "weak year", but now that it's come and gone, I actually really enjoyed a lot of movies this year; certainly more than 2009. I'll proceed to count down from ten for 2010 until I hit my FAVORITE film of the year. I'm judging these purely based on what I enjoyed the most. That means I might be bias to my personal tastes.

10. Kick Ass.
Prior to this film's release I was sure this was hipster garbage/trendy bullshit/etc etc etc. I avoided it for a long time before Sarah got me to see it. Sure it is "popular" and trendy among teens because at the core it is a teen movie; but there's a lot of great satire in this film that pokes fun at the conventions of the superhero genre. Like any other comic book geek, I've spent a while wondering if I were to actually don a cape and cowl how would I go about doing it? Where do you even begin? It's an interesting premise; but rather than go for a realistic angle they went for over the top violence. It works pretty well and makes an entertaining movie. Also, I'm a huge fan of anything CAGE, so the fact that he plays "Batman" was a major plus. Oh...and the last line is a Jack Nicholson Joker quote. Kudos.

9. Tron.
I must admit a bias here seeing the movie under..."ideal" conditions. I'm not a fan of movies that only focus on sight-gags, like Avatar, but unlike Avatar, this movie doesn't try to pretend to be some highbrow poignant piece of art. It's just meant to be fun and sleek and cool...and JEFF BRIDGES.

8. Iron Man 2.
Yet ANOTHER movie I was so ready to despise and I was so satisfied with. This is just rock and roll bliss playing out on screen. Robert Downey is always believable and cool, and I enjoyed Paltrow, Cheadle and the other members of the supporting cast (EXCEPT SCARLETT BLECH) as well. Sam Rockwell really stole the show and made the movie for me as corporate jackass Justin Hammer; easily one of my favorite film characters of the year. The action is good and the tone of the movie knows just what a superhero film should be. It takes itself just seriously enough.

7. Easy A.
Teen movies can be pretty fun if they're done tastefull and if the script is solid. It's been a while since a touching and sincere one has come along, despite the goofy stereotypical portrayls of high school always found in cinema. The last one I loved was Mean Girls, which is almost difficult to criticize; and while I have some problems with characterization and suspension of disbelief, not to mention motivation of the main character in Easy A, the acting carries it. Emma Stone is a natural and Stanley Tucci somehow manages to steal the show despite only being in like three scenes.

6. Black Swan.
Oh. An art film. I guess I'm getting to the meat of the issue now huh? This movie was immersive, surrealist and totally psychotic; and I felt it was Natalie Portman's best acting role to date. It's nice to see she's graduated the George Lucas school of wooden acting and moved on to bigger and better things that really showcase her ability. She's about 90% of the movie and the other ten percent is mostly comprised of her reflection in various mirrors, but it's creepy and it actually has a good message about the impossibility of perfection.

5. 127 Hours.
Horrifying and kinetic, I didn't have great expectations for a Danny Boyle film, but James Franco was totally fantastic; and I feel he gave the best performance in a lead role of the year. It's so much more than a movie about a guy who falls down a hole and cuts off his arm, it's about a guy clinging to life but also struggling to figure out what's worth living for simultaneously and regretting all his careless misanthropic years while staring death in the face. I loved it.

4. Toy Story 3.
Until the most recent revisions to my list, this was fittingly number 3, but I realized my top 3 are all interchangable and I like them all just about evenly. Since I like this movie a little bit less than those, it has to get number 4, but that doesn't mean it's not brilliant. Pixar is just on top of their game with every release. Tear Jerkers for adults and adventure films for kids. I loved Lotso Huggin Bear, the antagonist of the movie as well. A perfect ending to a series I grew up with. If this won best picture, I'd be thrilled.

3. The Town.
I really don't know if this is my favorite or 2nd or 3rd. This was a HARD call, but I have to go by entertainment and gut reactions so this is going to have to get the number 3 spot. Amazing that Ben Affleck co-wrote and directed and acted (very well at that) in this local crime movie. It's a lot of fun to watch and while the plot kind of rips of "Heat" a lot of aspects are just as well done, if not better; especially the romantic aspect. Jeremy Renner is pretty great too, and the nun masks were awesome.

2. True Grit.
I previously said number one, and I may go back to that notion but I loved this movie. The Coen Bros. are always fantastic and quite possibly the most talented directors alive right now with their fantastic pacing and humor. Jeff Bridges, Josh Brolin, Matt Damon and most of all Hallie Steinfeld are oscar worthy in their respective roles and nothing feels over done or out of place. It's traces of Coen humor scattered across a bleak western with a fairly light hearted adventure story. Unlike a lot of the Coen's recent work, I feel like this one will please just about everyone (except my tasteless friends).

1. MACHETE.
A top ten list ultimately comes down to what I personally had the most fun watching and enjoyed the most as a viewer, and watching Machete I was like a kid in a candy shop. This movie appeals to my sensibilities on so many levels: humor, glorified violence and "lame irony". The casting alone is an absurd joke despite strong leads from Danny Trejo and Michelle Rodriguez (forget Jessica Alba) with unexpected great performances from Steven Seagal, Lindsay Lohan, Robert DeNiro, Cheech Martin, and even cameos from the likes of special fx genius Tom Savini. After Grindhouse, the most fun I had at the movies in 2007 I was bloodthirsting for more and Machete delivered. Sure it's not a high concept thinking piece, but what the hell...I bothered to see it FOUR TIMES theatrically. Rodriguez makes the kind of movies that to me as an aspiring filmmaker seem like a ton of fun to work on and the end result just has the cast and audience sitting back and laughing together having a great time.

well there you have it. My wordy top ten, but I really put some thought into this list and I hope you enjoyed reading it. Here are my honorable mentions:

Jackass
Predators
The Fighter
King Speech

and I still want to see Despicable Me, Exit Through the Gift Shop, Blue Valentine and Winter's Bone.

Monday, October 25, 2010

HALLOWEEN POPTARTS EXPLORED

Despite my not-so-excited feelings towards the product, I had to stop myself from consuming the last pop tart in 30 seconds to hurriedly take this picture somewhere in the vicinity of my stove.

The hype machine is screeching to halt. Halloween is inevitable. It’s going to happen. For better or for worse, we will endure it. We will pull through. The loose threads on our costumes will just have to make do or be taped for now. It’s time to go. Halloween is now six days away, and I’ve been waiting only 359 days for this moment…the moment when I’ll bit into a Halloween pop tart and truly uncork the life of the season. Sure there’s FrankenBerry and BooBerry and Count Chocula and those containers at Mcdonalds that I’d feel foolish asking for in the happy meals along with a myriad of other products that are promoting the season, but it’s crunch time, and I must get out the laundry list of Halloween themed blogs I’ve been planning this week. I actually bought the damn pop tarts in September.
My quest for these repulsive things actually began at CVS and Walgreens and the other usual haunts for me at 2 in the morning when I have nothing better to do than shove food in my face. Then a friend of mine in Florida tipped me off to Target getting in shipments of HALLOWEEN poptarts. The location and stage was set. It’s a funny feeling taking the T around 4 minutes and walking nearly a mile through horse manure attempting to buy seasonal poptarts. A friend of mine actually was curious that that sale of such items wasn’t restricted to someone my age. I imagine they’d start carding for poptarts. If you’re old enough to have a license, Halloween pumpkin-flavored, sprinkle-blasted freeze-dried pastry is not for you. Not really for anyone, but much like the Halloween Oreos, it’s orange and therefore better due to Red Dye 40.
So I made it through the entire box of Halloween flavored poptarts in a couple weeks. It wasn’t easy. I usually just grabbed them on the way out in the morning when there was nothing else to eat. They come two per package and the way I butcher packages combined with my inability to touch my food that I eat (due to like OCD or something) there’s no real way to save em. So you HAVE to have two per sitting. At least I have to. By the time I get half way through the second one my mouth is more dry than a whore house in…eh nevermind. Unlike the Cinnamon poptarts, which you have to eat like a thousand of to get sick of, you’re kind of only in this one for the sprinkles and for the hype. Skip it.
In my next Halloween review I’ll be checking out some great products like donuts or something. Either that or I’ll do a recap of my Halloween weekend, though I’m pretty sure it will progress into absolutely disgusting filth and mayhem that I’ll be too embarrassed to recall.

GOOSEBUMPS: THE ARTICLE-BLOG PART 2

It’s been too long since I wrote part 1 of my over analytical entry on the formula of Goosebumps television episodes. But now I’m going to write more because I wasn’t done. This is the natural progression. Seeing as we’ve already cut our way into the narrative, I’m not going to bother recapping the truths I hold to be self evident to Goosebumps from part 1. Here are some things that I’ve noticed about 25 episodes in and the episodes in which I’ve learned these things. Pictures are intermittent:

1. Minorities appear in roughly every third episode.
2. Cats or rabbits serve as fake out scares in every single episode or other small animals.
3. Tensions is cut with editing every time a monster appears and we jump to commercial breaks.
4. Trusted adults or friends always end up as the monster
5. The episodes “Peak” in suspense half way through the episode, which kills any legitimate suspense.
6. Monsters always cackle maniacally.
7. You know the monster is beaten when it blows up.
8. Kids are often grabbed from behind by an adult (not like that you fools!) while investigating some place they shouldn’t be in.

This “blog” has really turned into just a stream of consciousness that I’m unable to organize into coherent thoughts at this point and instead I’ll simply post my reactions to specific episodes in the hope that you’ll take heed and read them to see the ridiculous haircuts and convenient plot devices. So now some notes on specific episodes and screen caps I took highlighting them.

Attack of the jack o lanterns:
-walker is gay as fuck. Whats wrong with his voice
-The proud family. The dad looks like a black Mario
-the bushes are hissing and breathing in just about every shot
-I actually jumped with the jack o lanterns jumped out but they’re giant retards

“MORE HOUSES! YOU MUST TRICK OR TREAT FOREVER!”
they cut from the kids walking away from the pumpkins into 2 more pumpkins. What a great scene transition.
-they fart fire out of their faces, which I didn’t even think I could imagine until watching this
-MOAR HOUSES
-the idea of getting back at people with scaring them on Halloween is identical to haunted mask…but stupider.
-candy fattens you up-Aliens have green dicks for heads


More Monster blood:
80s porn soundtrack on an airplane
“Maybe I’ll be in the same school as you. Even though you’re like five years older than me”
-Fat prick in a hard rock sleeveless jean jacketlook at those fucking goggles.

How to kill a monster:
I don’t think I’d seen this one prior to recently but I could be wrong, either way the house in the book is exactly like the house in the television show. Theres a really crappy Texas Chainsaw massacre vibe about it
-the monster is like king gedorah without the wings
How to kill a monster? Gumbo. Which can be made in a 2 minute montage as you’re keeping a giant monster at bay with a single door lock

How I got my shrunken head:
By season 4 they really got their act together in terms of lighting production value, effects. It really looks like a modern show. Much better intro too. The kids mom is a whore whose low income boyfriends are driven off by her son playing safari. He screams KALI AH similar to mola ram. Sadly the dialogue did not improve.

Shocker on Shock street:
has some of the best creature designs. Solid episode for the most part. Wouldn’t have felt terribly out of place in another horror anthology. Could have been better though because there’s so many changes from the book such as the giant ant and the omission of the graveyard scene. The basic plot structure and good creature designs made for one of the best episodes. Just wish it was truer to the source.

Night of the Living Dummy 2:
probably one of the best remembered and most watched episodes, thanks to the VHS release.
-family night…what the fuck is this? Family show and tell? I hate conservative households
-he filmed his sister in the bathroom?
-this family DESERVES to be destroyed (clearly the best looking family in the show)
-I really wish slappy looked how he did on the book covers.
-Slappy is inheritly creepy, not just dummies in general but the ones in this show. No complex plot is necessary here. We know how this works from the start of the episode. Dummies fuck with family for no apparent reason. No more reasons behind it required. And who wouldn’t fuck with these dumbass families who buy their kids dummies and sing “if you’re happy and you know it” on the guitar on family talent night? These concepts of necessary 90s togetherness make me feel sick. The dummy talking really doesn’t bother the girl too much does it?
-This one is a weak sequel compared to the first one.
-Slappys really not that offensive is he?
-why is slappy afraid of the mom?
- thank god the guitar broke so he cant play shitty music
“I’ve seen better swings on playgrounds”


Fuck it. I don’t care to write about Goosebumps anymore, though I’m sure you’ve enjoyed my reactions to the hideous production quality of this show. I need to review some poptarts. I need a return to sanity.

Wednesday, October 13, 2010

GOOSEBUMPS: THE ARTICLE-BLOG. PART 1

So here’s an entry I figured I had to get out there before Halloween that’s been on the backburner for a LONG time. This is like…the Beowulf or Ulysses of my blog entries. Except it’s about trashy kiddie novels adapted for the screen. The truth is I had this one partially written and I’d taken a lot of notes and screen grabs over 4 months ago (this is true, I’m not bullshitting you). I’ve even done a remix of the theme song for you guys to correspond with the write up (though it’s more incidental than actually related…I just like the theme song). Anyways I now present to you my blog post on the Canadian 90’s television series based on the books by R. L. Stine…Goosebumps. But you already knew this judging from the title of the entry.
Stand back kids…I got a lot to say on this one. This might also end up a bit more nuanced, technical and analytical than my usual fare, which might put you to sleep or totally lock your attention.

Unless you lived like…in dead house or the haunted mansion, if you were a kid in the 90’s then you knew about horror pulp in its lowliest incarnation. Goosebumps began circulating in the early 90’s around grocery stores, libraries and the like, making the rounds through the hands of eager 8 year olds with a penchant for being scared. The books were highly recognizable with their textured covers with inset lettering and the unique color scheme applied to just about every book. Though they were devoid of interior illustration and could usually be read on the crapper in about half an hour (I can attest to this personally), Goosebumps provided some cheap thrills and terrifying iconography for a younger, now drug and alcohol ridden generation of the 88-92 born crowd. A lot of little boys in my classes were familiar with the Hamster from Monster Blood, Curly the skeleton (who bafflingly didn’t actually appear in any of the books), the Mummy and of course Slappy the Dummy, who made ventriloquism terrifying forever.
So once Mr. “Stine” had made a name for himself and Goosebumps hit a sort of widespread “fame” amongst kids…merchandise was demanded. Believe me it was few and far between. I think I had some kind of Hamster Ball that you turned inside out, a Horror land themed mini pinball machine, a screaming mummy statue thing and some erasers… lowbrow shit like that. In the years since Goosebumps has gone under I’ve discovered the existence of some action figures in body bags filled with slime and I feel like I really missed something important in my childhood by not owning these. But anyways, the audience for Goosebumps demanded more…and a TV show was delivered to us right out of the depths of Canada.
The show was kind of like Tales from The Crypt or Are You Afraid Of the Dark or something…but lamer. In its lameness, it was easily one of my favorite shows when I was a kid. I enjoyed the thrill of it and waiting to see how scary the adaptations were of my favorite stories that I read on the crapper…I mean read in school. Right. Goosebumps had some kind of ongoing deal with “Scholastic”
(you guys remember those fucking catalogues?)
which ensured that I would be sent Goosebumps books through the school program at least once a month. By the time the TV show premiered with “The Girl Who Cried Monster” I was primed and ready to be jumping out of my couch on Saturday mornings, spilling my cereal all over myself. To be honest after the premiere of the show I wasn’t lucky enough to catch it on TV too often, and actually ended up watching a lot of the episodes on the VHS anthology releases (which were fucking cheap outs putting like two episodes on a VHS). My most rewatched VHS tape featured a creepy green hand on the cover touting “STAY OUT OF THE BASEMENT”. In this story, a girl’s father is actually a plant or something who cultivates plant babies in the basement. This plot was either ripped off by or ripped off from a BATMAN: THE ANIMATED SERIES (my favorite show ever) episode titled “Home and Garden” which came out in either 93’ or 94’. While I try my best to be an absolute historian of 90’s animation and pulp horror made for children, I can’t recall EVERY episode of every show’s exact air date. But anyways, this leads me to the amount of Goosebumps I had to sit through to make this “review” er…tribute.

Over the summer I tortured myself watching Goosebumps and attempting to make it through every episode of the short lived series. It started with a couple strong seasons with plenty of episodes laden with cheap props and reused child actors who were never heard from again. The show was a lot scarier actually than when I was 8 years old. Back then I was fighting off hiding behind the covers to keep the monsters away…now I’m hiding behind the covers cringing at the awful filmmaking involved in this shit. But it does have a certain charm associated with it, especially when you’ve taken a few film courses and you’re able to identify the many things wrong with it. I’ve painstakingly taken a bunch of screen caps to illustrate some of the awful masks and clichés within these episodes.

So let’s start with the episode that made me almost wet myself in fucking terror as a child…WEREWOLF SKIN.
This one appeared on one of the VHS tapes I was familiar with, but I distinctly remember seeing this one on TV as well. At the end of part 1, a werewolf jumps through the kids window and it scared the beejesus out of me…though rewatching it this scene was just as poorly done and poorly paced as the rest of the scenes in every episode. One thing that can be said for Goosebumps though is that they knew their audience. So here’s a few things I learned about Werewolf Skin:
Rules of being a good photographer:
1. Take some pictures
2. Don’t leave your camera in the jeep

Yes, within this episode, the main character (which is always a little kid btw) is dropped off at some creepy gas station to meet his extended family in some shit-nothing town which is said to contain werewolves. He wants to photograph said werewolves for his horror magazine’s contest so he can…win…or something. Right away from the first formulaic episode I began watching I began to piece together some things that ring true for just about EVERY episode of Goosebumps. Here is a brief list of notes I jotted down after sitting through like 25 fucking episodes of things that are necessary to include within a Goosebumps episode:
Opening shots and an initial “fake out” scare
Heavy Foreshadowing
Kids approach off limits place
Crazy Encounter Monsters
Kids learn how to overcome monsters by someone who somehow knows everything
Kids quickly overcome monsters using some kind of sudden lame plot device
Kids learn life lesson from their experiences
Cliffhanger ending

But it’s not just limited to plot devices. Character traits are also cookie-cutter within these episodes across the board. Look for the following (but dear god don’t start doing shots or you’ll get alcohol poisoning within EVERY episode of Goosebumps).

Typical character traits:
Talking to themselves
Having incredibly dumb parents
Often being an outsider or a loser
Protagonist characters say “soarey” instead of “sorry”
Often times the protagonist trusts characters that turn out evil
Striped shirts and high sitting pants
Over pronunciation and over acting
Hilarious haircuts
Dads often have comb overs

So we have typical flaws in the writing of the plot, the acting of the kids and the set pieces themselves, but we also have a lot of flaws on a very technical level as well. I realize that outfits and haircuts are not actually character “traits” but more external flaws, but givem the 1 dimensional nature of EVERYONE on this show, these atrocities are some of the only ways to differentiate characters. Here are some filmmaking errors that are commonly found within Goosebumps episodes, though rather than make you laugh, these tend to just make me groan or avoid looking at the screen.

Typical Editing items:
Camera pans down
Shots always held slightly too long showing people doing extraneous things in the background
Scenes of struggle are always cut for commercials because they don’t know how to edit them.
There are ALWAYS point of view shots from the monster sneaking up protagonist
Camera tilts to one side or the other
Musical scores are inconsistent and shut on and off at seemingly random moments

At this point we might as well just call this blog post an article…because I’m just getting fucking started. I’m passionate about Goosebumps. I’m not sure exactly if I like it or not, but I’m more passionate in talking about it because it seems like the sands of time have caused our generation to move on to pot and x box and move away from the finer things in life. Goosebumps is of a simpler time…anyways, here’s some funny quotes I jotted down from Werewolf skin:

“My aunts making pizza waffles and she hates it when I’m late”
“Life is a phase I’m going through”
“I happen to like big meatballs”
(in reference to obsessed) “Oooo big word”

If you haven’t yet caught on yet, this show is great for laughs. Sitting alone in my basement with the lights off (to attempt to achieve at least the allusion of a sense of atmosphere) I really felt like I needed to share this shit with somebody. Pizza Waffles? What kind of heathens are these people? Are the meatballs a sexual metaphor? Fuck it. What follows now (this is a list/note-taking intensive entry) is a list of things I personally learned from Werewolf Skin:
WEREWOLF SKIN FUCKING EXPLODES.

That’s about it. But it also serves to prove a lot of the truths we hold self…stupid…about just about every episode of Goosebumps in addition to the editing, plot related and character flaws I mentioned above. Remember how I talked about the child stars (who I imagine were not paid very much) who were re used in episodes? Let me draw your attention to ANAKIN FUCKING SKYWALKER aka Hayden Christensen who appears actually as ZANE in Night of the Living Dummy 3.

He sure grew up didn’t he? I don’t think so. He’ll always be the little boy I knew back on Tatooine. Everybodys gotta start somewhere though. And to think that Goosebumps spawned the career of the future Darth Vader also gives you an idea of the vicious magnitude of this show. I think I had the Zane episode memorized as a kid though, mostly due to the VHS tapes yet again. It’s credited by many as the scariest episode due to the annoying Dummy, Slappy who terrorizes children when the parents aren’t home one night. It’s actually got a darker tone than most of the episodes, and the stakes are somewhat higher. One thing that’s weird is people knew that this was the best BOOK within the “Dummy” book series by RL Stine so they made this episode before Night of the Living Dummy 2. In an effort to remain accurate (even though they just confused people), they kept the title at NIGHT OF THE LIVING DUMMY 3.

You may remember from the novels, that Slappy had slicked back Brown hair. Kind of like Humphrey Bogart with freckles. There was also a famous fake out within the series where Mr. Wood the dummy was actually the villain of the first Night of the Living Dummy even though it was Slappy pictured on the cover. In the television show, Slappy is just a fucker. He’s obnoxious, has a lot of puns, and what’s creepiest of all is that he doesn’t even appear to be a dummy…more like a midget wearing a helmet who chases kids through the house.

But anyways this episode isn’t half bad. In fact, I think if someone watched this episode first, they’d be given a false idea of what Goosebumps actually is. Check out these notes I took based on my gut reaction to watching this for the first time since the turn of the century:

The gradual tension build up with the dummies is great. The fake out lasts most of the episode too. I just wish it moved a little faster.
The action gets pretty slaptstick towards the end but it’s not so bad. It’s pretty tongue in cheek. How much threat could a dummy really be anyways?
-If you’ve never seen this episode before, the suspense is a lot of fun with the dummies
-Slappy’s death fake out is great. He’s one of the few monsters on this show with a shred of personality.
-killed by single lightning bolt. Plausible?

I’m not going to attempt to organize these thoughts into my “textural narrative” instead I think we’ll just cut the blog here and continue to talk about Goosebumps in PART 2. This is going to get far too lengthy and culturally irrelevant to begin to even expect people to read in one entry. As they say at the end of many a Goosebumps episode…

TO BE CONTINUED


Spoiler alert: Writing this convinced me I'm insane.

Thursday, September 30, 2010

4:00 in the morning and it's an exciting time for film

Well alot of people said 2010 has sucked. I disagree, because I've really enjoyed a handful of films this year. The thing is though, those 5 films that I enjoyed were the only films I saw that were worth a shit this year. So in a sense I can agree with those who have been knocking this year for cinema. I know it's really early to be doing any sort of Oscar pooling, but I am really excited for a few films at the present point in time...so much so that I can't sleep. What films you might ask? Well how about I count down a list and you pretend like you care and maybe you might learn something? I'm going to count down films coming out either this year or next year until I hit my most anticipated release (2011 is the cutoff cause 2012 is just too far to think ahead without a Batman trailer)...

10. Green HornetI'll be the first to admit this doesn't look that great...but I liked the pacing and flow of the trailer quite a bit and I like Seth Rogan and Waltz so it should be pretty fun. This is just the tip of the ice berg for upcoming movies though so I had to toss in a few bullshit ones.

9. Harry fucking PotterHas anyone else gotten a vibe of legitimacy from the past few potter films? Like they're actually stylish, and not just in the sense of grand stupid adaptations. Like...they actually have given me the chills on occasion, especially when Alan Rickman is doing something awesome. This newest one is being marketed as the most important movie you'll ever see to the point where it will burn your fucking eyeballs out of your skull, but at the same time I half believe it. I grew up with this limey bastard and this is the conclusion of his story. Whose going to die? We already know but watching the epic trainwreck play out and possibly win a cinematography Oscar in the process is going to be quite the sight...

8. Due Date
I love Zach Gally and I love RDJ. Putting them together is almost insulting. Comedic genius at the same time. On that visceral level, I'm pretty pumped for this, but at the same time, I was genuinely disturbed by the trailer because Zach is the entire focus of the situational comedy. No love for RDJ. In fact, he's the butt of the joke in most of the cases. A total straight man. If you've seen Tropic Thunder, you know that RDJ can be pretty damn funny himself and it's sad to see him made a fool of and not get to do anything witty and just get pissed off the entire movie. You could have hired a lesser actor for that kind of gig. At the same time I can't wait to laugh at Zach's antics, even if I'll come out of it feeling slightly guilty.

7. Battle: Los Angeles
So this one is quite a few months off, but it's got a few things I like: post apocalypse. stupid action violence. Aaron Eckhart screaming and most of all...Michelle Rodriguez, whose kicks a ton of ass. I'll be seeing this one on opening day no doubt.

6. Pirates of the Caribbean: On Stranger TidesAlright call me an idiot or whatever, but I really enjoy these films. I liked the first one and I enjoyed the second one despite it being crap. The third one was pretty wretched but I'm confident that without Orlando Bloom on the payroll it has serious potential. This is roll that Johnny Depp is made for and I'm sure alot of people will be happy to see him making a comeback.

5. Paranormal Activity 2 I know my horror movies, and I know that I haven't been scared by one in a few years. Paranormal Activity was as effective as they come though. As soon as it ended I was a bit sad, that this unique and audience captivating experience probably wouldn't come along again for several years...after all, the main characters died...how can there be a sequel? Well, the public demands more, and much like the prequels of star wars, I fully expect the ruination of a good thing. I'd be lying out my ass though if I can't say I was totally giddy seeing a trailer for ANOTHER paranormal activity so soon though. Hopefully it's as gut wrenching as the first one was, but that will be a hard act to follow. If this movie didn't scare you...I'd like to know what did.

4. Green Lantern
This is a really good superhero concept that APPLIES to movies. Like I'm not sure why this is just a movie now. Lantern is deserving as any for a film and Renolds is a great lead role. I think this has serious potential to be a stellar film (unlike Thor, which wont even make this list). This will also prove (if it doesnt suck) that DC knows what they're doing outside of Batman and can make films that compete with Marvel. I'm not too well read on this character, but I know it has a lot of potential.

3. Black Swan
Arronovsky. Padme Amidala. Meg Griffin. What a fucking epic combination. I'm only half kidding too. This movie looks absurdly creepy and well crafted at the same time. Lesbians, ballet, nightmare sequences and people turning into swans. I can't quite explain what it's about (and I dont want to spoil it for myself either) but this movie is getting a lot of hype and I'm getting pretty excited to experience it for myself. Just look at that poster. Aldready winning awards! Before the poster was even designed no less. Not that that says anything except PRETENTIOUS, but I think we need one of these "elite" films shoved into the mix every once in a while to remind us we have individual thinking ability.

2. Captain America

This WOULD be my most anticipated, but I don't trust Marvel. I trust Johnson. He made Rocketeer a pretty entertaining film, and it would fit the mood of a cap movie perfectly. Not sure I like Chris Evans as the lead, especially cause it retcons marvel's already troubled universe of films. But here's the thing. I love Cap. He's my favorite hero outside of Batman. I like the jingoism. I like the old timey symbol of hope in world war 2. I also really like Red Skull (and Hugo Weaving is good casting at that). If only I had more faith they were actually interested in making an original and even poignant film, instead of trying to fit into the stupid avengers project (which WILL suck) and compromising the direction their story could take.

1. True Grit
Coen Brothers. Jeff Bridges. Cowboys. Brolin. Damon. Badass little girl character. Just watch the perfectly paced, and musically cued trailer. This is the masterpiece of the bunch I can already tell. The Coen Brothers are at the top of their game, true masters in the art of directing: perfect and simplistic and chilling all at once. This one looks to have a bit of satisfying action to boot. The trailer manages to give me chills every time. Christmas day hopefully will bring us the Oscar film of the year.


well I'm tired. I'm sure I forgot some upcoming movies to look forward to.

Sunday, May 2, 2010

The top 20 movie villains of all time

And those who disagree with me "suck cock by choice." -Deadwood

I think everyones a villain in deadwood. I've only caught a few episodes so far but the hilarious way they mistreat each other and every character in the show is pretty riveting. I love their old-timey foul language. I'm wondering how I missed this show in its prime in 2006.

So in consolidating a top villains list I've asked a few friends their opinions but I've largely disregarded them and tried to go with my gut instinct. I think before starting in I have to establish the things that make these characters I've chosen great villains. I didn't want to pick typical or even obvious choices. I'm hoping that in reading this list you might want to go back and rewatch some of the films these characters appear in and witness their offenses against society again with a fresh perspective.

So what am I looking for in a great villain?

-The intentions of the character. Are they the solid and unquestionable antagonist of the film? For this reason I'm not choosing or including characters like Daniel Plainview since he's the protagonist. I believe a villain is someone you're supposed to root against in a film regardless of the evil shit they're doing. I can't choose someone like Captain Spaulding from Devil's Rejects for the same reasons.

-Memorable. A great villain is a memorable character, usually more so than the hero. This might be because their actions are either so disgusting or frightening or they simply leave a greater impression on the viewer. A screen presence and a resonance with the viewer is why I chose the characters I did. Part of the memorability of a character is the delivery of the lines as well as the visual appeal of the character. Or lack of appeal.

-What makes them evil? What makes them wrong? It's even better when they're in a position of being unwillingly the antagonist. Are they just hardwired to do wrong or is there a moral struggle there? Either way it's interesting whether you have someone whose soul is pitch black or if you have someone whose trying to come to grips with their actions.

So why villains? Why write this post? Well villains have always been the most riveting characters in any film, at least to me. It's more fun to be bad ist the common excuse but let's think about it on a more psychological level. Most of us can't relate to rescuing our daughter from the mob or becoming a jedi. We've never seen Mufasa fall off a cliff and been scarred for life as a result of it or battled robots from the future. We can however, relate to internal conflict and the pressure to conform and feelings of loss, rejection, revenge...villains are weak to human emotion. "The Sith are fueled by their passion". Unlike the protagonists in most films, you can relate to alot of villains in a realistic way. They're motivated by rage, anger, or just out of spite. The best of us are able to rise above that, but for the majority of the human race, people fall victim to character flaws.

Without further ado I'm going to write the shit out of this.

20. Agent Smith-The Matrix.
I figured we'd start off with a chilling and nasty but also a rather bland character. Agent Smith isn't a terribly compelling or even interesting character but you get the sense that he cannot be stopped. He runs the "world" of the Matrix. He can bend the rules of reality. When the protagonist Neo is completely new to the situation and is learning his "powers" Agent Smith uses this to his own advantage. Hugo Weaving is pretty great in the role too, not only playing a singular character but an entire "army" of clones within the Matrix. He proves that you don't have to look abnormal or scarred or have a crazy costume to give off an air of evil. He's just a man in a suit with sunglasses and despite this, he's ominous.

19. Hook-Dustin Hoffman
One of two pirates to make the list, Hook is a pretty goofy character but I will still attest to this day (and possibly due to nostalgia) that Hook is my favorite of Hoffman's roles. Crazy. Classy. Sophisticated and frumpy to the enth degree, he doesn't really fit the bill for a text book pirate. Hook is an eccentric...just look at those goddamn glasses! He's got some good lines too. When I was a kid, Hook was the man, but in the Peter Pan disney cartoon, you just feel bad for him because he's totally inept. In this movie, Hook is like some warped artist who Peter Pan is trying to prevent from painting great things. He lives on a waterworld type air craft carrier and uses like steampunk technology ahead of his time. He also employs Bob Hoskins. Anyone who employs Mario Mario is a worthy and intimidating villain.

18. Amon Goeth-Schindler's List
In addition to having multiple pirates, we also have multiple Nazis on this list. Goeth is the first, and I'll admit I wouldn't have thought to include him if not for the lovely Tyler Lopachin (who is in fact, not a movie villain but rather a small boy who likes movies). This character is the epitomy of evil, without regard for human life. He's not just a Nazi following orders, he's sadistic too. You really get the sense watching him that people like him did exist at one point in time, and in the darker annals of the world, they still do. He's real cruelty personified, and there's almost nothing human about him, despite how he appears clean cut and normal to outward appearances.

17. Oogie Boogie-The Nightmare Before Christmas

Oogie Boogie doesn't really fall into the genuine "evil" category so much as goofy but at the same time, he's really out of place in what's otherwise kind of a kids movie. He puts it over the top. There's characters in this movie who are willing to kidnap Santa Claus and even characters who try to ruin an important holiday. There's only one character though, whose crazy and unscrupulous enough to want to BOIL santa claus and kill anyone who even so much as enters his lair. Even his henchmen (teenagers who run with the wrong crowd) are afraid of him. In a land full of monsters and ghosts and talking trees how can someone be dehumanized to the point where they're unrelatable? Well, not to give any spoilers or anything...but Oogie Boogie is made out of hundreds upon hundreds of insects functioning as a collective. He also sings jazzy sorts of music and gambles with snakes. I think Oogie falls into the realm of being so weird that he makes a great villain, which was important in a movie full of quirky weirdness and twisted morals. They needed someone extreme.

16. Jack Torrance-The Shining
Jack Nicholson's a pretty crazy dude...but when he's psychotic he makes for a great villain. I don't mean like the Joker...in the Shining he's like axe murderer psychotic, and laughing about it the whole time. You get the sense that a guy having this much fun chasing people to their death is someone that can't be stopped. He's really enjoying this, and there's a serious creepiness and uneasiness about him when he's on screen. He's also probably the only "horror" movie villain (even though I'd venture to say The Shining is more of a thriller movie) to make the list, which means he had to be pretty damn good.

15. Barbossa-Pirates of the CaribbeanFrom the accent to the monkey to the ability to turn into a skeleton in the moonlight, Barbossa is the spirit of piracy. He's the iconography of the profession from the humor of the character to the stench of booze and body odor that almost permeates the movie screen. He can be threatening but in dire straights, he's been known to work with the protagonists. In the first movie however, he's purely an antagonist. He can be charming and civilized but at the end of the day he's THE pirate captain. Jack needs to step aside. As much as I like Hook, and even Davy Jones in the same franchise, neither of them got shit on Barbossa. I feel like this character gets overlooked too with some of the more "high concept" characters in the pirates franchise, but lest we forget the true nature of pirates. Just ignore that stupid pirate code.

14. Hans Gruber-Die Hard
Alan Rickman was born to play villains. In Die Hard, as terrorist/suave meglomaniac, he's one step ahead of Bruce Willis as John McClane throughout the film. While not neccessarily a physical threat, Gruber toys with McClane until he meets his predictable and yet graceful end by falling off of a building. There's something memorable about every villain and I think his death and his accent are the selling points for Hans Gruber. He's considered one of the quintessential dasdardly villain characters motivated by revenge and money, and I just wouldn't feel comfortable making a top 20 without him. For some, when Rickman was cast as Snape in the Potter franchise, it seemed like an unlikely choice. For those of us who grew up with Die Hard, he seemed like a natural for the role.

13. Alec Trevelyan-Goldeneye The Bond series is full of memorable characters, from the Bonds themselves, to the girls to the villains. But most of the villains are remembered for being corny like Jaws or Christopher Walken or Grace Jones being freakishly tall or Odd Job for being freakishly short. None of them are really even matches for James Bond. Blofeld is simply too old fashioned and out of place to be taken seriously. So who is the antithesis of James Bond? His best friend/Cossack traitor Alec Trevelyan. Once 006, Alec fakes Bond out in the beginning of the movie only to later try to seize all the money from England's banks with the threat of a satellite he plans to kill everyone with if he doesn't get it. When Bond calls him a common theif, he tells Bond he has a small mind. How can James bring himself to kill his best friend? Is there any redeemable aspect of this man or is the good in him totally lost? Or was he ever good? Combine this with the fact that he's a physical and intellectual aspect to James Bond and you have a worthy antagonist for just about any film, not just the slightly dated, Goldeneye.

12. Hannibal Lector -Silence of the Lambs
I think including Hannibal on the list is pretty much a given. I really debated it too since I'm trying to avoid horror characters, but for my purposes, this is ONLY inclusive of Hannibal in the original Silence of the Lambs. Despite his lack of screen time (as I learned in a recent trivia game only 15 minutes or so total) he's a really creepy screen presence. I mean...not only is he a cannibal but he's an intelligent sophistcate. There's quite a contrast there. He's a conversationalist who society seems to fail to understand. At the same time, he just might be psychotic.

11. Jabba The Hutt-Return of the Jedi
While not the main villain in Star Wars, Jabbas pretty memorable. Not only is he evil but he's disgusting. Physically unattractive and imposing, surrounded by henchmen and totally amorale, Jabba is not someone you'd want to be chained to, which is exactly the situation Princess Leia finds herself in. Given Jabba's track record of feeding his dancing girls to the Rancor when they try to fight off his sexual advances, Leia's pretty fucked, and not possibly in any good sort of way. Despite all the odds against her though, Leia proves herself as a resiliant heroine when she's able to strangle Jabba to death. For a dirty old slug man though, Jabba has a full arsenal of thugs, torture droids and even a sand pit with a vagina. He might just be one of the most disgusting characters in all of cinema. Revolting as a "person" and revolting physically too, Jabba is well deserving as a back up villain from Star Wars that still makes the cut.

10. Anton Chighur-No Country For Old Men

I realized that in a similar sense to Hannibal, my list will be invalidated if I don't include Lurch here. Now, I realize I'm in the majority here but I don't think this character is nearly as effective as some do. Crazy. Obnoxious. Silent. He's the perfect killer, but highly unlikeable. He lacks personality, but in many respects that failture to humanize him might make him all the more villainous. I think that might be the point of him though, you want him to be stopped but, SPOILERS, he never is. Eventually a car hits him, but that's only a minor deterrant to his rampage, like all other attempts to stop him in the movie. He employs a variety of tactis from compressed air pumps to silenced shotguns and coinflips (which serve no real purpose) to sadistically finish off his victims. Anton is a force of nature in the film, though I didn't find him nearly as memorable as he comes off in many reviews. Regardless of this, he's got a great and unnerving screen prescence and he's clearly the strongest character in this poignant film.

9. Scar-The Lion KingWhile he might be a cartoon, Scar is everything evil. He's physically deformed. He's power hungry. He's lazy. He's got a thick British accent. He kills his own brother. He's a failed politician. There's something very real and very sinister about him for someone whose not even human. His motivation is purely to be in control. Scars got a major superiority complex. He's pretty black to the core, but he's fun to try and attempt to relate to. The fact that Disney gaves him a pretty cool musical number really helps give him an edge too. Eventually, after a climactic battle, Simba doesn't have to lower himself to Scar's level as Scar is betrayed by his own subjects which he promised food to and didn't deliver. A fitting end.

8. That Yellow Bastard-Sin City This guy is a scary and rotten piece of shit. A pedophile whose impossible to be legally repremanded as the son of a senator, Rourke Junior (aka yellow Bastard) goes after the girl he preyed on years ago once his dad is able to use technology to regrow his nuts so he can carry on the terrible family legacy. This guy is so bad he sponsors a farm where another freak eats the women he murders/and or rapes. They mount heads on the wall and feed bodies to dogs. Do you need to hear anymore? You really get to hate this guy and when Bruce Willis decribes the way he smells, you don't doubt it for a second. So what sort of come-uppins can possibly satisfy a sadistic unreedmable assole like this? One of the greatest villain deaths in any movie. Bruce Willis rips his nuts off with his bare hands and proceeds to pound him in the face until he's "pounding skull chunks into the floor" Only Frank Miller had the cajones to write this shit, but audiences all cheered when this guy went down.

7. Frank Booth-Blue Velvet
Frank Booth isn't just some criminal. He's absolutely insane. He's a festishist and while vunerable, he's got some deep seated mental issues; possibly from frequent misuse of helium. He's memorable and scary because he's unpredictable. While generally unpleasant, he seems to explode and make split decisions in the blink of an eye. You can tell he's never kidding either and he absolutely believes every word he spouts, which is usually some sort of obscenity. "HEINEKIN? FUCK THAT SHIT. PABST BLUE RIBBON" is among his memorable lines. Another weird scene with Frank involves his need for "inferiority" in his sexual relations where he calls the woman he's "making love to" his mother but then yells at her for looking at him. It's unpleasant stuff to watch but you also have to wonder what makes him tick. While he doesn't die a very good death, or even live a very happy life, Frank is among the most mentally deficient and crazy villains in the history of cinema.

6. The Penguin/Oswald Cobblepot-Batman Returns While Danny Devito was the natural choice for the role of the Penguin, he completely disappears into the part. Many fans complain that this version o f the penguin is too much of a deviation from the comics, over acted, too dark, etc. but I think you have to put aside fanboyishness for a second and look into the tormented world of this unique character. This might not seem like a natural choice for this list, and despite the often corny and overly dark nature of the film at times, the character of the Penguin is funny, sadistic and deformed but also absurdly human at the same time. He's been rejected his entire life. Rejected by his parents and rejected by society. Even when he tries to ascend, Batman is there to put a stop to it because it's illegal. He gets more screen time than Batman too. So whose the protagonist in Batman Returns? Is it the tortured deformed man whose been trapped in the sewer his whole life shielded from human emotion or is it the crazy billionaire dressed as a bat who wishes to put him behind bars? As the penguin puts it "It's in human nature to fear the unusual" as he finds his parents a little too late after resurfacing into society. He lays roses at their graves in a pariticularly touching scene. Eventually, The Penguin lashes out at the society who rejected him and got his false hopes up as a "mayoral prospect" by attempting to kidnap the first born children of the city, of which he himself should have been one had he not been born deformed. The character is cruel...but can you blame him? Unloved by everyone except his pet penguins, in the touching finale of the film, the dying Penguin is carried into the water by his sewer raised pets, also rejected by society and unloved. This terrible and depraved creature was loved afterall. It's a very moving scene and a very sad end to a tragic character. An unwilling villain or a psychopath or just a pathetic man with cruel intentions? No matter how you slice it, The Penguin is a great choice for this list.

5. Captain Vidal-Pan's Labyrinth

So here's a character whose absolutely mean and ruthless and kills without regard for human life but he's also a man with scruples. He really believes that he's someone great. He believes that at any cost, he must carry on his legacy. He measures success in terms of achievement. There really are people like this, namely Republicans. He kills people because he believes it's the right thing to do and he'll be damned if any women or pesky kids stand in his way. But at any cost, he needs his son to survive him and he needs to win the war against the Spanish rebels. He's a man who sees in black and white. He has been told that what he's fighting for is right and that's what he believes in. Cruel competition and the progression of his bloodline and his race are his primary goals. He's pretty relentless and unstoppable too. When he's stabbed in the face, he simply sews his cheek shut. A soldier by blood, when his father gave him a watch as a child, he kept the watch his entire life so he could see the time when he died. This isn't a soulless villain, but a man of strict scruples who personifies militaristic cruelty.

4. Hans Landa-Inglourious Basterds
Suave. Charismatic. Aggressive. Thinks like a Jew. These are a few ways to attempt to try and describe the brilliant character of Hans Landa the Jew Hunter. The 2nd Nazi on the list, he really doesn't fit the bill of a typical Nazi officer. He doesn't seem outwardly prejudiced or rigid and militaristic. He seems like if anything else, a detective as he describes himself, and a particularly effective detective. He might come off as conceited but he has a reason to be. He's good at what he does. You also have to ask yourself, how can a guy this charming be evil? He's not necessarily mean or sadistic. Quite the opposite. He's polite and outgoing and multi-lingual, but his actions are purely motivated by furthering his own goals. I think everyone can agree that Landa is a great villain and a worthy addition to this list.

3. The T-1000-Terminator 2

What do you do about a villain who cannot be stopped? He can't be shot. He can't be burned. He can't be frozen and he can shapeshift, alter his voice and run faster than you can drive a car. He can go through walls and turn into liquid metal too. The T-1000 is a scary character because there's a sense of impending dread every time he's on screen. He will kill his target and rather than fighting him, the protagonists of the movie merely run from him the entire time. His powers are almost unfairly advantageous. You begin to doubt that even Arnold will be able to defeat this "machine" at a certain point in the movie. He doesn't blink either. He can act human and he can fake it but there's something distinctly wrong with him the entire time. Something totally robotic from his sharp features to his undamagable cop uniform which he wears for the duration of the film. He made famous the "T-1000" run too.

2. Darth Vader-The Star Wars Trilogy

The "big daddy" of all villians. Like a few others on this list, at one point Darth Vader was good. He was Luke's father, the mysterious ace pilot and Jedi, Anakin Skywalker. As played by Sebastian Shaw. Little is known about what drove Vader to the dark side (since the shitty movies don't count in my book) but Vader is the quintessential villain and is the driving iconography behind Star Wars, and even the sci fi genre in general. He's menacing. He has a heart and he's also the father of the central protagonist, which makes him harder to fight and also harder for the audience to hate. He has a connection with the good guys but for whatever reason, he can't seem to make the crossover. Unlike most of the other villains who are famous in movies, Vader is able to finally feel pity for his son and see the error in his ways. In his final moments he's seen not as a machine but a man, maskless and vunerable. It's one of the greatest moments of redemption in any film. Red lighsabers. The breathing. The imperial march. The voice. Everything about Darth Vader is villanious and iconic which makes him an integral part of ANY villains list.

1. The Joker-The Dark Knight Some of you might be thinking this choice is a bit of a bias...but where would such a bias originate from? Notice Jack's Joker never made the list and I consider him a separate character so it's clearly not a pre established fascination with the idea of the Joker. It's because I knew from the start there was something special and something memorable about this version of the character. The first time I saw Ledger's Joker I was unsure. This was a new take. A dirty punk joker. A long haired wild man. What was he capable of? Was he going to be some young menace type or a calculating psychopath? Then I saw the trailer and I knew as early as January a full year before the academy awards that Ledger would be in for the Best Supporter actor nod the next year. Then tragedy struck and Ledger died, leaving us this final (hopefully) great memorable film performance. By the time summer rolled around and the hype kicked up...it seemed I wasn't alone. This chord that this quirky and genius portrayl of the Joker struck with me was striking with everyone else too. Tons of fans were hopping onto the band wagon. Whether they were teenagers or whether they were adult screen writers, just about everyone was able to be wowed by this performance and this character. How can you beat a villain whose right? Too fearless to be intimidated into the sense of morals that keeps the rest of society in check here's a guy who is basically speaking the truth. He's intrested in "humor" and intimidation factors to get what he wants...which he basically determines on a whim. He just "does things". When the law gets in his way to try and intimidate him into stopping by jailing him or threatening phsyical violence...he laughs in its face. When Batman gets in his way he's intrigued. Here's another man whose not impeded by the law and does what he pleases. But he does it to bring about justice to the masses. What does he owe them? Why do they never have to say thank you? For these reasons and his menace and his look and his various quirks and ticks that make the Joker seem like a REAL person, not just a real psychopath, the Joker is the number one movie villain of all time. In the past 2 years alone, he's garnered as much hype as some of the all time greats in cinema. He can never be truly imitated and his performance will never be forgotten as one of the most chilling and intense roles to ever appear on the screen. He carries a brutal and elemental film, a blockbuster of the most "dark" and unexpected kind. He might even make the viewer question their sense of morals...because as cruel as he can be, at times he makes it look like fun.


Well that wraps up this entry. Stay tooned' for more.